This weekend a plurality of Christian artists are gathered
together in Tennessee for an annual event known as “Hutchmoot.” Hosted by the folks at The Rabbit Room, with names inspired by Tolkien
and Lewis, and the silhouette of a rabbit smoking a pipe for their logo, it all
looks quite magical from the outside.
But it’s all moot (see what I did there?) if the ultimate aim
isn’t to glorify God – to be a group of people of whom it can be said, “Then
those who feared the Lord spoke
with one another. The Lord paid
attention and heard them, and a book of remembrance was written before him of
those who feared the Lord and
esteemed his name” (Malachi 3:16, ESV)
I discovered The Rabbit Room not that long ago, and I’ve
never been to a Hutchmoot – I am a newbie and still an outsider. What I know of
the artists involved encourages me to hope that this is exactly the kind of
thing happening at this gathering. Regretably, I have been to events where this was not the
case.
Any time you get a large group of Christian artists
together, you’re playing with fire, and it’s either going to be the true Fire
of God, or the false fire of man. Such events are always ecumenical to one
degree or another, but they can be very good. I’ve been to Christian writing
conferences that were really wonderful and God-honoring. I went to a Christian
arts retreat that was lovely and refreshing.
I also went to a Christian arts conference that I absolutely
loved, but when I went back the next year, I listened to speaker after speaker
espousing liberal theology and calling artists to push all boundaries, to the
point that the potentially good theme of diversity was all but drowned out. The
whole conference wasn’t bad – there was some good stuff in there. But a big red
flag moment came early on, when one speaker said, almost verbatim and to vocal
agreement from the gathered crowd, that in the church, the artist is more
important than the pastor, and the artwork is more important than the sermon.
Artists, and perhaps especially Christian artists, are well-practiced
at justifying what they do. They’re used to having to explain the value and
importance of the arts, in life and in the Church, let alone the local church.
I can see how it’s easy, when you’re finally in a group of people used to doing
this, to again seek to justify, but to do so from an empowered position and
consequently get carried away. I can see how easy it is for a listener in that
situation to similarly get caught up in the heady moment. I was doing it myself
until they got to the “more important than” part.
It is vital to keep the arts in their proper
place, as an important and valued aspect of life, but by no means the most
important. As I look in at Hutchmoot, the Art Houses, and other Christian art
institutions from what often feels like very far away, I have a great hope that
these things are in reality the way they look and feel to me from the outside:
a celebration of art in its proper place, and a fellowship of artists who fear
the Lord and esteem his name.
That is the perspective I hope this blog can also maintain.
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