This is the third and final installment of my interview with
Ginny Owens on the intersection of art and faith. Click to read Part
One or Part
Two.
Most of your music is
overtly Christian, but you’ve also released a few songs that are not. Do you
write many of those?
I do. This past weekend I wrote a Country song with a couple
other writers. I also have a song in a new movie about human trafficking. I'd
even say that, while many of my songs are explicitly Christian if you are a Christian, listeners who don't share Christian beliefs might not hear them that way.
In the future, I plan to release more of both.
Welcome to Part Two of my interview with Ginny Owens on the intersection of faith and art. Did you miss Part One? Read it here.
What is your songwriting process like?
Usually, there’s some phrase of a lyric that will come with a melody. It helps to have a lyric with which to create your melody and you just put a lot of silly words in it, and then later you go back and spend hours, days, years reshaping the lyric to make it say what you want it to say, and sometimes that means there needs to be a little melody change. I usually start with a little bit of melody and a lyric, and when I write them down in my little idea book, they’re usually a concept, not an actual lyric.
Obviously, your faith informs your work. What are some of your daily habits with God?
In the morning I have about 45 minutes (it’s supposed to be 25 minutes, but once I get my coffee I start thinking about my day and get so unfocused; I have to kind of hang out with God until I can focus my brain). I try to do guided prayer time; I’ll write down things I want to thank God for, or things I want to praise Him for. I love Puritan prayers – I’ll pray through liturgical stuff just to get some new words.
Mine was a classical music family; I didn’t know the
difference between R&B and jazz, but I was certain I didn’t like them. So
when I first heard Ginny perform back in 2005, two things immediately came to mind:
1) this sounds kind of jazzy, and 2) I kind of like it.
It was a bewildering experience.
I love good lyrics, and Ginny
Owens’ are among the best. They drew me in and sustained me while my ears
acclimated to her musical style.
Traditionally characterized by soul, jazz, and R&B
influences, Ginny has always been versatile. With her newest album, she crosses
into pop music, bringing those thoughtful lyrics with her.
Ginny crafts her words
with great care, and it shows. In addition to writing songs, Ginny blogs on her
website, co-wrote a book with Andrew Greer about the relevance of the Old
Testament to our faith and lives, and recently released a 14-day
devotional. In each case, her writing is not just good, but insightful.
Anyone who takes such pains in her craft is someone I wanted
to speak with about my favorite subject: the intersection of faith and the arts. So I did! Here’s Part One of what she had to say:
For folks who don’t know, how did you get into
songwriting?
I started songwriting at age seven or eight – probably because
God knew it would take me a long, long time to become decent at it. But I was
fervent at first in not pursuing music. I liked writing songs, but I bristled
at the stereotype that all blind people have to be musicians.
I’m organizing a Ginny
Owens concert. As part of
my publicity efforts, I thought, “I could interview her! We could talk about
the intersection of faith and the arts!”
The day of the interview
arrived. I started to get nervous. Would I babble? I pressed the button to
start the call.
I got her voicemail.
And now, the conclusion.
I’d never gotten someone’s voicemail on Skype before. I wasn’t sure
what to do. Should I leave a message? Would she get it? I hung up.
I fidgeted for a minute, then tried again. Same result. I waited a bit
longer and tried again. And again.
Ironically, I started to relax. The unforeseen difficulty completely
took my mind off of my nervousness. We would, I figured, at least have
something to laugh about.
Ginny Owens is an expert at
asking questions - she’s even written a blog about it. Perhaps I
should have asked her for tips before I interviewed her.
You see, I’m not a professional question-asker. I didn’t study
journalism. The first time I
interviewed someone, I sent them a list of questions via email, and they
typed up their responses. The second time I interviewed someone, it
was my brother. Ginny Owens was my third interview.